Resumo: Este artigo parte da obra de Gilbert Durand e opta preferencialmente pela noção heurística da mitanálise, ainda que num sentido mais lato, em detrimento da noção de mitocrítica mais vocacionada para a crítica literária e poética. O ponto de vista defendido é que a bacia semântica na qual a mitanálise, concebida para con-textos mais ideologizados, opera é a do imaginário educacional com o seu conceito de ideologema. É, portanto, neste pano de fundo que se desenrolará a discussão, na nossa última parte, do interesse e da respectiva importância da mitanálise no quadro de uma hermenêutica educacional que, por sua vez, não deixará de ter implicações numa Filosofia da Educação.

Abstract: This article stems from the work of Gilbert Durand and preferentially opts the heuristic notion of myth-analysis, although in a much broader sense, to the detriment of the notion of myth-criticism, more orientated towards literary and poetic criticism. The advocated point of view here is that the semantic basin in which the myth-analysis operates, conceived for more ideologized contexts, is that of the educational imaginary with its concept of ideologeme. It is, therefore, in this context that the discussion will take place, in our last section, envisaging the importance and interest of Myth-analysis and its implications in an educational hermeneutics panorama, which in turn will not fail to have implications in the Philosophy of Education.

This paper explains the changes that the Internet has introduced in the reading of juvenile texts and in the promotion of these from virtual public epitexts or online sources as blogs, reading forums and Booktrailers. These new forms of reading assume a new type of interaction between the author of the text and its reader, in which both share the information in reading digital spaces on the content and interpretation of the literary work. A specific example of this new type of reading interaction is the literary work The Uprise of the Satyrs (2014), by Ana Soares and Barbara Wong, published in Portugal. Using a password, the reader of this juvenile text can access a virtual space in which he or she can find out its development, come in contact with diverse information about the literary work, and can interact with the author and other readers of this young adult text.

Este artículo explica los cambios que Internet ha introducido en la lectura de textos juveniles y en la promoción de estos a partir de epitextos públicos virtuales u onlines como los blogs, los foros de lectura y los Booktrailers. Estas nuevas formas de lectura suponen un nuevo tipo de interacción entre el autor del texto y el lector, quienes comparten informaciones en espacios digitales de lectura sobre el contenido e interpretación de la obra literaria. Un ejemplo concreto de este nuevo tipo de interacción lectora es la obra literaria, publicada en Portugal, A revolta dos sátiros (2014), de Ana Soares y Bárbara Wong. A partir de un password, el lector de este texto juvenil puede acceder a un espacio virtual en el que conocerá la continuación de esta, accederá a informaciones muy diversas sobre el texto literario y podrá interaccionar con el autor y los lectores de este texto juvenil.